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FabFilter Pro-L 2 is a true peak limiter plugin built for clean loudness, modern mastering, and punchy mix bus control without wrecking your transients. It is a go-to final stage limiter for producers and mastering engineers because it combines multiple limiting styles, accurate loudness metering, and oversampling, so your track can hit competitive levels while still sounding musical. Pro-L 2 is also included in the FabFilter Total Bundle, so it is a common studio standard across many DAWs.
| Module / Feature | What it does | Perfect for |
|---|---|---|
| True Peak Limiting | Catches inter-sample peaks to help your master translate better and avoid clipping after conversion or streaming. | Final mastering, streaming-ready exports, clean peak control. |
| 8 Limiting Styles | Eight algorithms with different character and behavior, from transparent limiting to more aggressive loudness options. | EDM loud masters, pop clarity, rock punch, trap drums, mix bus control. |
| Real-Time Level Display | A detailed metering and visualization system that shows gain reduction, peaks, loudness, and limiting behavior in a producer-friendly way. | Dialing loudness fast, matching references, avoiding over-limiting. |
| Oversampling up to 32x | Linear-phase oversampling helps reduce distortion and improves true peak accuracy when pushing loudness. | Clean loud masters, bright mixes, high energy EDM and pop, mastering chains. |
| Loudness Metering Standards | Extensive loudness metering supporting EBU R128, ITU-R BS.1770, and ATSC standards for broadcast and modern delivery. | Streaming targets, broadcast work, consistent loudness workflows. |
| Unity Gain and Audition Limiting | Quick A/B tools that let you hear what the limiter is doing without being tricked by louder playback. | Honest mastering decisions, avoiding crushed dynamics, fast comparisons. |
| Surround and Immersive Support | Supports immersive and surround workflows up to 9.1.6 with flexible channel linking for modern post-production. | Dolby Atmos sessions, film and game audio, multichannel mastering. |
| Dithering and Noise Shaping | Built-in dithering with multiple noise shaping options for final exports and bit depth conversion. | Final master bounce, 24-bit to 16-bit delivery, clean finishing. |
| Plugin Formats | VST, VST3, AU, CLAP, AAX Native, AudioSuite, 64 bit |
| Windows Requirements | Windows 11, 10, 8, 7 or Vista, 32 bit or 64 bit, VST 2/3 or CLAP host, or Pro Tools |
| macOS Requirements | macOS 10.13 or higher, 64 bit only, AU, VST 2/3 or CLAP host, or Pro Tools, Apple Silicon or Intel |
| CPU Load | Low to medium (can increase with 32x oversampling, surround formats, and very low lookahead settings) |
| Tested DAWs | Ableton Live 11 and 12, Logic Pro, FL Studio 21+, Cubase 13, Studio One 6+, Reaper, Pro Tools 2024+ |
| Apple Silicon Native | Yes, native support for Apple Silicon M1 to M4 on supported macOS systems |
✅ Instant Download – fast digital delivery via ShopAllPlugins
✅ License – FabFilter Pro-L 2 activation
✅ Content – true peak limiter with 8 limiting styles, loudness metering, oversampling up to 32x, dithering, and immersive audio support
✅ Workflow – mastering loudness and peak control for music production, mixing, and post inside your DAW
For a clean loud master, start with a transparent style and aim for controlled gain reduction instead of chasing the biggest number. Use Unity Gain to A/B honestly, then add oversampling only if you hear harshness or distortion in the highs.
FabFilter Pro-L 2 is a professional true peak limiter plugin designed for mixing and mastering loudness while keeping a clean, controlled sound.
Yes, Pro-L 2 supports native Apple Silicon M1 to M4 on supported macOS systems.
If your DAW supports VST, VST3, AU, AAX, CLAP, or AudioSuite, you can use Pro-L 2 in Ableton Live, Logic Pro, FL Studio, Cubase, Studio One, Reaper, and Pro Tools.
Yes, it includes extensive loudness metering with support for common standards, plus true peak metering and detailed gain reduction visualization.
Modern and Transparent are common starting points for clean results, while Punchy and Aggressive can work better for harder material like EDM, trap drums, and rock when you want more edge.
FabFilter Pro-L 2 is for producers and engineers who want loud masters that stay clean, controlled, and competitive on streaming platforms. If you need one limiter that can handle transparent mastering, punchy mix bus limiting, and detailed loudness metering in any DAW, Pro-L 2 is a strong final stage choice.
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